Recording Studio Books - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8
 | Sound Advice on MIDI - by Bill Gibson Learn how to use this communication protocol to enhance your recordings in the third millennium. Whether you're creating a MIDI sequencing extravaganza, supporting an acoustic recording or synchronizing equipment, MIDI (which has come a long way since its implementation in the '80s) is likely to be involved. See and hear practical applications of MIDI gear: keyboards, sound modules, effect processors, recorders, mixers, triggers and controllers. This book will help you produce more powerful and impressive recordings through a deeper understanding of MIDI. ©2002, 80 pages. Book & CD. |
 | Sound Advice on Mixing - by Bill Gibson If you want your mixes to sound great, even next to your favorite commercial release of your favorite artist, you need Sound Advice on Mixing! You'll learn mixing techniques and hear audio examples designed to help you create a professional-sounding mix. Avoid the pitfalls of mixing. Build a mix from the ground up, shaping each ingredient with the big picture in mind. Learn how to setup a mix that has power and impact. Once you start following these guidelines and principles, you'll never turn back, and your music will sound better than ever! |
 | Sound Advice on Music Production - by Bill Gibson Sound Advice on Music Production demonstrates specific organizational and technical considerations to help you in the practicalities of finishing a project in a polished professional manner. Veteran author Bill Gibson (The AudioPro Home Recording Course) (MX025) guides you through the production process in an easy-to-understand way, providing a road map for success in your own productions at home or in a commercial studio. ©2004, 80 pages. |
 | Sound Advice on Recording & Mixing Vocals It's as simple as this: If the vocal sounds good, the song sounds good. If the vocal sounds bad, the song will probably sound bad. This addition to the popular InstantPro series brings you an in-depth look at the delicate art and science of recording and mixing vocals for all styles of music. Sound Advice on Recording & Mixing Vocals will show you the specific steps to take in pursuit of that perfect, sparkling vocal sound that makes your song shine! | From microphone choice to room sound to effects selection, veteran MixBooks author Bill Gibson (The AudioPro Home Recording Course (MX025)) guides you through the vocal recording process, and also gives tips on how to get the best performances from vocalists. In addition, this book comes with an audio CD demonstrating all the concepts described in the text. Don't record another vocal until you read this book! ©2004, 80 pages. Book & CD. |
 | Sound Advice on Recording and Mixing Guitars - by Bill Gibson Guitars of all varieties form the basis for many kinds of music, and a great guitar sound can often make or break a track. This budget-minded book will give you the knowledge you need to start making guitar recordings like a pro! Sound Advice on Recording and Mixing Guitars is a quick yet thorough guide to getting the best guitar recording. Covering all popular methods of mono and stereo guitar miking, veteran MixBooks author Bill Gibson (The AudioPro Home Recording Course)(MX008) will also guide you through every step of mixing to make sure your track sounds just right! The accompanying CD demonstrates all the concepts described in the text. ©2004, 80 pages. Book & CD. |
 | Sound and Recording: An Introduction, 5th Edition This best-selling book introduces you to the principles of sound, perception, audio technology and systems. Whilst offering vital reading for audio students and trainee engineers . . . ideal for anyone concerned with audio, sound and recording, beginners and professionals alike. Comprehensive and easy to understand, this fifth edition is bang up to date, with expanded information on digital audio principles, systems and applications, as well as an extensively updated chapter on MIDI and synthetic audio control. | Contents: Fact file directory;Preface; What is Sound? Auditory perception; Microphones; Loudspeakers; Mixers; Analogue recording; Noise reduction; Digital audio principles; Digital recording and editing systems; Digital audio applications; Power amplifiers; Lines and interconnection; Outboard equipment; MIDI and synthetic audio control; Time code and synchronisation; Two-channel stereo Surround Sound. 570 pages. |
 | Sound Assistance, 2nd Edition - by Michael Talbot-Smith "Sound Assistance" offfers a highly readable and easy-to-understand account of sound operations in radio and television studios. By knowing the characteristics of the equipment, such as threshold and compression ratios, it is much easier to achieve professional effects quickly, saving hours of trial and error. This second edition has been updated to include more information on: microphone sensitivities; loudspeaker listening tests; domestic color code for stereo; stereo transmission in radio; stereo PPM interpretations; MiniDisc; digital radio and recordable CDs. | Contents: Introduction; revision of electricity - D.C. & A.C.; outlines of electronic devices; radio transmission; decibels; loudspeakers; stereo; signal processing; analogue tape recording; recording with digits; more digital devices; public address; sound desks (mixing consoles); safety. ©2000, 230 pages. |
 | Sound Check - by Tony Moscal Here is a simplified guide to what can be a tricky subject: getting good sound. Starting with an easy-to-understand explanation of the principles and physics of sound, "Sound Check" goes on to cover amplifiers, speaker hookup, matching speakers with amps, sound reinforcement, mixers, monitor systems, grounding and more. Includes many diagrams, lots of illustrations and a glossary of audio terms. |
 | Sound Engineer's Pocket Book, 2nd Edition - by Michael Talbot-Smith The Sound Engineer's Pocket Book, Second Edition is a handy source of essential data that every sound technician needs. Whether you are a professional sound engineer, responsible for broadcast or studio recording, or a student on a music technology or sound recording course, you will find this book authoritative and easily accessible. Adapted from the comprehensive volume, The Audio Engineer's Reference Book, this pocket-sized reference has been fully revised to cover the very latest technology connected with sound: | Noise measurement; Acoustics; Microphones; Loudspeakers; Mixing equipment; CDs, DAT, MIDI, MiniDisc; Telephony; ISDN; Digital interfacing; Ultrasonics; Handy pocket-sized reference. Straightforward explanations. Must-have facts and figures for Sound Engineers. The second edition features: Substantial revisions of chapters on radio microphone frequencies, digital audio tape, and audio measurements. An extended list of further reading. Completely reformatted for greater clarity. Completely reformatted for ease of use, the second edition also features: Substantial revisions of chapters on radio microphone frequencies, digital audio tape, and audio measurements; An extended list of further reading. ©2000, 176 pages. |
 | Sound Engineering Explained, 2nd Edition - by Michael Talbot-Smith This straightforward introduction to audio techniques guides the beginner through principles such as sound waves and basic acoustics and offers practical advice for using recording and reproduction equipment. Previously known as Audio Explained, this latest edition includes new material on: reverberation and its use in recording; principles of digital mixing; digital recording; including MiniDisc and MP3; digital artificial reverberation. Designed with the student in mind, information is organised according to level of difficulty. | An understanding of the basic principles is essential to anyone wishing to make successful recordings and so chapters are split into two parts: the first introducing the basic theories in a non-technical way; the second dealing with the subject in more depth. Key facts are clearly identified in separate boxes and further information for the more advanced reader is indicated in shaded boxes. In addition, questions are provided (with answers supplied at the end of the book) as a teaching and learning aid. Sound Engineering Explained is ideal for both serious audio amateurs any student studying audio for the first time, in particular those preparing for Part One exams of the City & Guilds Sound Engineering (1820) course. Contents: Sound waves; Hearing and the nature of sound; Basic acoustics; Microphones; Using microphones; Monitoring; Stereo; Sound Mixers; Controlling levels; Digital audio; Recording; Public address; Music and sound effects; Safety; Copyright; Miscellaneous data; Further reading. ©2001, 216 pages. |
 | Sound for Digital Video - by Tomlinson Holman The distinguishing feature of many low-budget films and TV shows is often the poor sound quality. Now, filmmakers shooting DV on a limited budget can learn from Tomlinson Holman, a film sound production pioneer, how to make their films sound like fully professional productions. Holman offers suggestions that you can apply to your own project from preproduction through postproduction and provides tips and solutions on production, editing, and mixing. | Holman, sound engineer on such films as Indiana Jones and the Temple of Doom and Star Wars: Return of the Jedi, is famous for his pioneering work in film sound production and for developing THX. Now, he brings his expertise to the relatively new field of sound for digital video productions. Once considered an amateur format, digital video is becoming the format of choice for some feature films and for many lower budget productions; this book will enable you to use this medium to create the most professional and effective sound possible. ©2005, 328 pages. |
 | Sound for Stage - by Patrick Finelli Patrick Finelli's thorough manual covering all aspects of live and recorded sound for performance is a complete training course for anyone interested in working in the field of stage sound; and is a must for any student of the subject. The book covers the basics of sound waves and electricity, examines the equipment in use - from ageing tape recorders to digital hard disk recorders, and also covers signal processing, sound reinforcement, communications and acoustics. There is also an up-to-date section on MP3 and web audio. Each chapter ends with some practical exercises to allow the student to put new-found theories into practice. |
 | Sound Studio Construction on a Budget - by F. Alton EverestThis one-of-a-kind book from the leading acoustics expert makes it possible for anyone with a modicum of electronics skills to build an inexpensive sound studio from scratch. It contains blueprints for eight complete designs, each accompanied by a comprehensive parts list. Professional audio engineers, sound technicians, bands and upper-level audiophiles will be intrigued by the possibilities. In addition to the eight designs, this unique handbook contains eight appendices -- alone worth the price of the book -- that provide valuable tables, tips, sound absorption coefficients and other reference materials. ©1996, 352 pages. ALSO see the Sound Studio Construction Package: SAVE 15%! Buy "How to Build a Small Budget Recording Studio" and "Sound Studio Construction on a Budget" together for only $52.50 |
 | Sound Synthesis and Sampling, 2nd Edition - by Martin Russ Sound Synthesis and Sampling, Second Edition, provides a comprehensive introduction to the underlying principles and practical techniques applied to both commercial and research sound synthesizers. This second edition has been rigorously updated throughout and includes a new chapter on performance, examining how synthesizers have become embedded within more sophisticated musical performance instruments. Martin Russ’ highly readable and non-mathematical approach makes the subject accessible whatever your level of experience. | The book features: Detailed illustrations to aid your understanding. Topics presented in bite-size sections within each chapter. Additional notes in the margin to reinforce important points. Examples of representative instruments and software. Time lines showing the development of a topic in its historical context. Questions at the end of each chapter for checking your comprehension. A glossary for quick reference. A jargon guide to demystify the varied terminology. As such, the book is particularly suitable for students of music technology, audio engineering, acoustics, electronics and related courses. Musicians, engineers and multimedia specialists will also want to keep a copy to hand for reference. 464 pages. |
 | Sound Synthesis and Sampling: The CD-ROM - by Martin Russ Sound Synthesis and Sampling: The CD-ROM is an interactive database of information, sound files and animated diagrams concerning all aspects of digital and analog sound synthesis. Based on the book of the same name, the CD-ROM version allows you to actually hear the effects of the techniques discussed in the book -- something that the book could never achieve.Closely linked to the contents of the book, Sound Synthesis and Sampling: The CD-ROM offers you the ability to see and hear the effects described. ©1999. Mac and Windows. |
 | Sound System Engineering, 3rd Edition - by Don Davis, Eugene Patronis An indispensable guide to the day-to-day work of designing sound systems. This new edition is packed with updated material that is fully in line with the very latest advances in this fast-moving industry. It is a practical manual that carefully examines a step-by-step method of accurately predicting such variables as acoustic gain, speech intelligibility, and required electrical input power while plans are still on the drawing board. Highly illustrated with clear diagrams throughout, this accurate, complete, and concise tool is a necessary | addition to the library of anyone involved in audio engineering. FEATURES: A highly regarded reference, bringing you all the current technology and practice. Details mathematics for audio systems and describes audio and acoustic instrumentation. Provides you with an overall coverage of how the system works as a whole. 504 pages, Hardcover. |
 | Standard Handbook of Audio & Radio Engineering Get clear answers to your every question on every aspect of audio engineering in the updated reference of choice of audio and video engineers and technicians, Standard Handbook of Audio Engineering, Second Edition. Youll find no other source that covers such a broad range of audio principles and technologies--with an emphasis on practical applications, including design, production, installation, operation, and maintenance of recording studios, broadcast centers, and multimedia operations. Now fully updated for the first time in a decade, this trusted guide brings you completely up to speed. |
 | Studio Business Forms (Paper Version) Organize your operation with this collection of business documents geared toward the needs of small studios. Covers the gamut from booking through billing, including session logs, acksheets, invoices, work orders, session contracts, tape logs, and spotting sheets. 48 pages. (Binder) |
 | Studio Recording Procedures - by Michael Shea The prices of recording equipment continue to drop dramatically, giving musicians and sound engineers increasing opportunities to make quality-level recordings. The Studio Recording Procedures takes a unique approach to this growing market, giving readers two books in one: a concise, tutorial audio engineering text in Part One, and then a ‘cut to the chase’, how to record any instrument fast guide in Part Two. By carefully cross-referencing these sections, industry vet Shea has created the ultimate recording resource: | a textbook where you can see immediately how basic principles are utilized in the studio, and a “how-to” guide that comes complete with all the background technical material one could need – particularly when things don’t turn out as planned. Covering the basics of studio recording technology, recording techniques for every major class of instrument, and a masterclass on mixing, this is the most complete guide to music recording ever written. ©2005, 375 pages. |
Recording Studio Books - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8
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